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A magazine of sound and fury
Dana Wilde
Amateur Naturalist
Short forays into nature

Critica
Forays in Reading

Fires of the Sun
Longer forays into outer space

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An Old-Fashioned American Revival:
Henry Miller, the Beats, Philip K. Dick and M.C. Dalley / Exquisite Corpse

Ride the Highway West, Baby:
The Doors and the latte literati / Exquisite Corpse

Nine Qazals of Mazun:
Translations of a Sufi poet / Qashqai.net

China:
American life there, 2000-2002 /
Fulbright

Contraband: A Recollection:
Portland, Maine's poetry and arts scene in the 1970s.
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Algol

Long ago the star Algol in Perseus was regarded as deeply ill-omened. Its name means "the ghoul," after the Arabic, al-Ra's al-Ghul, the Head of the Ghoul.
Why the ancient astronomers thought it was evil is anybody's guess. Ancient Hebrews called it Rosh ha Satan, Satan's Head. Worlds away, Chinese astronomers called it Piled-up Corpses. The Romans used versions of Caput Gorgonis, the Gorgon's Head, which gets to the heart of the matter, so to speak: To the Greeks it was the eye of Medusa's head dangling bloody from Perseus' hand.
Perseus, up there, is eternally rescuing Andromeda, just west of him. On his way back from killing Medusa by cutting off her snake-ridden head, he spotted Andromeda being tormented by sea creatures and snatched her away by showing the monsters the Gorgon's face and turning them to stone.
We call this a "myth," a word scientists of the past century have made synonymous with "falsehood."
In this spirit, some astronomers playfully turn the ancient astronomers' sense of Algol's evil on its head, saying Algol is actually a "friendly" star because it provides unique information. And information is good.
The prince of darkness is a gentleman, it's been observed.
This response from me, who's a doctor but not a scientist, could result in my own demonization, or at least mean laughter. I'm of two minds about this.
One mind profoundly respects the scientific facts. Algol, apart from the horrors its names allude to, is one of the fascinating stars. It was the first "variable" star identified as an "eclipsing binary," meaning it varies between brighter and dimmer because it is actually two stars orbiting each other and the darker periodically eclipses the brighter. A third star circling the other two sometimes jostles the eclipse.
What's weird, from a scientific viewpoint, is how often the eclipse happens: every 2.8 days. The two stars whip around each other less than 6 million miles apart (it's about 93 million miles from the Earth to the sun). The larger Class K giant star is, paradoxically, the dimmer of the two. When it cuts between us and the smaller but brighter Class B star, to our eyes the system dims. Weirder still, material is flowing off the surface of the K star into the much younger B star.
These are fascinating astrofacts. But in some inevitable way, the data about this extremity in the sky sink into my other mind and get a life of their own. The B star is cannibalizing its elder.
Algol is best seen from Maine in fall. One October night of broken clouds long ago, I spread the three legs of my small telescope and pointed it toward Perseus. Through the black barrel Algol quaked and glinted. It's white, but has a peculiar shadowiness. I watched it shift in the lens from fiery to a sort of lurid dimness. Meanwhile cars rushed in the distance. An owl hooed. The hair prickled on my neck.
This cold night will turn us all to fools and madmen, I thought. Then something rustled, and a low-pitched, hollow whistling boiled out of the trees, more horrible than anything I've heard before or since.
I froze. Suddenly I was so terrified my hands shook, and for a moment my mind was split. A calm part of me was watching another, petrified part which would have run for the road if it could have gotten my legs.
I stopped looking through the telescope. The whistle subsided. What animal is that loud and terrible? What's dead in the thicket?
Reassembling my wits, I turned the telescope away from Algol and just continued on, getting a breath of fresh light from galaxy M31. Then I packed up and left.
All this must seem pretty foolish. A star is not a Gorgon. But fishing in the dark for sanity, as I've done hundreds of times, my thoughts by some combination of fact and fiction ended up in fear and trembling.
Apparently the ancient astronomers had some such experience too. Here in the scientific age, somebody's got to make the sacrifice and say, Yeah, it still happens. In central Maine, it might as well be me.


More Space Art by Fahad Sulehria can be seen at www.novacelestia.com.

More writing like this from the sun-line-cave world is available instantly
in e-version by going here.
Indolence
By William Hathaway

In lazy days bizarre chimeras
flit fitfully through a melancholic mind.
A mind that needs shaming, like a field
nodding with daisies and buttercups
fairly buzzing with the sin of sloth.
I can't seem to sit still at the screen
to complete important poems
the ordinary American people will die
daily for lack of if they don't get done
according to a doctor who wrote
them himself on prescription pads
to the beat of windshield wipers
as he wended his way down
dark country roads to tell distraught
parents they should've called him
sooner. Instead I hop up to run out
into the driveway every half hour
to peer in my magnifying glass
that makes monstrosities of bead-
sized bugs that swarm amidst
meadowsweet clusters that smell good
as well as remind me of sublime
galaxies blazing in timeless silence
and the creation of the universe.
For, In the Beginning, what was there?
What would they see, these flies
that look like bees, eaters of aphids
too small to see? A gigantic eye --
watching. A grotesque phantom.
From darkness came light,
and this light traveled years
through darkness from its flames
to warm my back. Old Saxon
is how I like to say it, but the Latin
says numb to pain. I do seize
these easy days, embracing ghosts
here then there as we turn
and turn together in tumbling sun.



William Hathaway
The Other End of the Driveway
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Devotional Poem:
Wednesday Friends Meeting
By James Smethurst

sitting silent on Pocumtuck Ridge in a
meetinghouse dragged from West Bridgewater
I try to listen inside and am pulled outside
gunshots echo from the hunting club crows mob
a hawk a choir practices with piano someone
laughs to another as they walk by a train
whistles in the East Deerfield yard are these
what I'm led to hear? sometimes the angel
spoke to Mohammad in the tones of a bell that
was the hardest to understand the Prophet said

James Smethurst
Reading Mystical Literature:
An introduction to a literary interior.

Recent essays, and others
Books,
bits
and pieces
Other writings, other places
Algol
illustration by Fahad Sulehria
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