idea in Western culture either, and it has its appearance in South
Asian and Asian religions and philosophies. Socrates himself
speaks of the unity of all in the Allegory of the Cave, and
Plotinus outlines a cosmos which is unified at its source, and
only apparently separate at its outskirts, where we are. Rumi
constantly stresses the illusion of separation in his Mathnawi.
The South Asian depiction of Atman and Brahman - or individual
soul and all-soul - shows the same essential thing.
The Native American view of the cosmos is in this sense another
aspect of the perennial sense that the cosmos is single. A major
theme of Native American literature is the identity of Nature,
often referred to metaphorically as Mother Earth, the single
source and nourisher of all creatures, who are relations at the
material level, and the same at the dream and star level. You can
see this still in Native American writing; in fact there is a
concerted, conscious effort in writers like Lame Deer, Scott
Momaday and Leslie Silko to retain and reinvigorate this sense of
wholeness, which has been almost crushed under the weight of
the Euro-American scientific world view.
So our problem about the text is really a problem about the real
quality of the cosmos. We want the text to be fixed, and in so
doing, separate it from many of its elements - gestures, vocal
inflections, audience response. We want to separate these things
out, as if there were an individual, separate, distinct text. This
takes away a lot of the meaning (including the implicit
interpretation, as Tedlock points out), and warps our view of
Native American literature and world, and has over the centuries
warped the literature itself out of the oral and into the fixed,
written text.
The Native American oral text is a wholeness of words, sounds,
breaths, gestures, stresses, pauses, laughs and tears, not to
mention the emotions stirring on the air during the recitation.
That wholeness is a sort of fractal or microcosm of the wholeness
of the universe. The text is the cosmos, in just the same way that
"on the Earth is the same as what happens above."
Maybe I (and Tedlock) am calling for a relaxation of the
standards of science in literary criticism, because if we insist on
our reductive requirement that there be a single authoritative
text, then in studying Native American literature, there will
never be a text. We will be insisting on nothing instead of
something. This seems counterproductive.
But as a last note, if it is a relaxation of scientific methods that's
necessary in literary criticism, then it's important that whatever
approach develops in response have a rigor of authenticity which
rises above mere appreciation or personal emotional response.
This will require a shift in attitude on the part of critics, and it
probably involves a change in view, from individual, isolated
reader and inventor of meaning, to participant in a whole
experience, which happens in whole other worlds.
References
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Hagar, Stansbury. "The Celestial Bear," Journal of American Folklore Vol. 13,
1900, pp. 92-103.
Hallowell, A. Irving. "Ojibwa Ontology, Behavior, and World View," Culture in
History: Essays in Honor of Paul Radin, Stanley Diamond, ed., Columbia
University Press, 1960.
Lame Deer, John and Richard Erdoes. Lame Deer, Seeker of Visions. Simon and
Schuster, 1972
Napoleon, Harold. Yuuyaraq: The Way of the Human Being. Alaska Native
Knowledge Network, University of Alaska Fairbanks, 1996.
Neihardt, John G. Black Elk Speaks. Pocket Books/Simon & Schuster, rpt.,1972
Radin, Paul. The Autobiography of a Winnebago Indian. Dover Publications,
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Ruoff, A. LaVonne Brown. American Indian Literatures: An Introduction,
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Swann, Brian and Arnold Krupat, eds. I Tell You Now: Autobiographical Essays
By Native American Writers. University of Nebraska Press,1987.
---, eds. Recovering the Word: Essays on Native American Literature. California
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Tedlock, Dennis. "The Spoken Word and the Work of Interpretation in
American Indian Religion" in Traditional Literatures of the American Indian:
Texts and Interpretations, Karl Kroeber, ed. University of Nebraska Press, 1981.
© Dana Wilde 2007. This paper was originally given as a
lecture at Xiamen University in Xiamen, China, in 2001.
The Whole of Native American Literature