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spacetime, that roughly spherical shape and, essentially, that same moon. There is evidence, derived from an interpretation of the mathematics of quantum theory, to suggest that Mimas did exist in this enfolded form, even when it did not exist in rock-ice form. A powerful analogy from chemistry gave rise to this idea. A physicist, David Bohm, watched on television a simple experiment in which a drop of ink was dispersed in a cylinder of glycerin and then pulled back together into a single drop. This suggested that a drop which had completely dispersed but could be retrieved to its original form contained, in its dispersed form, some remaining disposition or potential to be a single drop. In other words the drop, or the disposition to the order of a drop, still existed in an enfolded form in the glycerin and the dispersed ink. Bohm eventually showed with mathematics that this potential is present in quantum, or subatomic, systems. The same might be said for objects on a much larger scale, say moons. Mimas has come and gone a number of times, the way a drop of ink can come and go a number of times, or a quantum system comes and goes, enfolded as a potential and then unfolded as an empirical reality. What the literal fact of this potential, or enfoldment, or unfoldment could be, no one knows, because no one knows literally what the mathematical equations of quantum mechanics refer to. Reality is not necessarily a solid, it might be a force or a shade, or the underlying disposition of the universe to unfold its potentials. Further, no one knows what the unfoldments might consist of, other than rock and water. They might consist of metaphors themselves. If so then a myth unfolds when the mind touches a sense -- or a potential, or a disposition -- of some aspect of the natural history of the universe. Apollodorus' story of the war in heaven is a literal unfoldment of the same potential unfolded in the bombardment of Saturn, Mimas, Hyperion, Tethys and the other moons. John Herschel's name for the tiny, disfigured, inmost-orbiting moon of Saturn unfolds the same story and the same macro-event from billions of years before. The human mind has this power to recognize and invent metaphors which transform signs and potentials into concrete experience. A metaphor in this sense might be more real than reality. The sense of motionless death evoked from the physical examination of pictures and data about Mimas is more humanly immanent and real than the physical object itself, which is after all 800 million miles away. It is not Mimas we fear, it's death. In the modern age, Mimas is death. |
And then, unfolded in the natural history of Mimas is its disposition to recur. Mimas keeps existing, somehow, even when it is annihilated. And even when it seems imperturbably dead, orbiting Saturn absolutely inactively, there it is, existing between annihilations. Because for a certainty, Mimas will not orbit there forever butwill be destroyed again in some far-distant catastrophe of asteroid-bombardment or Saturn-disruption. Like all human beings, all moons die. They are spread out like a drop of ink in glycerin, dispersed to apparent nothing, but their potential, or idea, or essential relation to the unfolded physical world somehow remains enfolded in the wavelike fabric of the universe, and they accrete again. It is then a question whether sentience is required to truly live. We fear, not Mimas, but our own potential powers. |
© Dana Wilde 2007; Descant 1997 |
Fear of Mimas |